KRVS

Phil Harrell

Phil Harrell is a producer with Morning Edition, NPR's award-winning newsmagazine. He has been at NPR since 1999.

At NPR, Harrell has worked on a variety of shows and produced a little bit of everything—from politics to pop music. Most memorably, he worked through the nights after the Space Shuttle Columbia disaster and after the death of President Ronald Reagan, producing mini-documentaries about each story for Weekend Edition.

Harrell got his start in radio as a rock 'n' roll DJ/program director at progressive WRNR in Annapolis, MD. He later co-created the Bob Edwards Show for XM and Bob Edwards Weekend for PRI.

Harrell has won numerous awards for his excellence in production. In 2006 and 2011, he led the teams that claimed the ASCAP-Deems Taylor Radio Broadcast Award. In addition, he won the Gabriel Award in both 2012 and 2014 with hosts Guy Raz and Arun Rath.

A native of Maryland, Harrell is a graduate of the University of Maryland-College Park.

Highlights from Phil Harrell:

Lowlights from Phil Harrell:

  • He almost killed Clint Eastwood by losing his balance and collapsing into him
  • He almost capsized a kayak paddled by NPR's Brian Naylor
  • He almost lost a recording that represented an entire day's worth of reporting in South Dakota

The opioid crisis in the U.S. has never gone away.

Almost every year, more people die of opioid overdoses than in the year before. More than a half-million people have died from prescription painkillers, heroin and illicit fentanyl since 1999. Provisional data from the Centers for Disease Control and Prevention estimates that more than 66,000 people died of an opioid overdose in the U.S. in the 12 months to September 2020, a huge jump from the previous 12 months.

When the Rolling Stones released "Gimme Shelter" in 1969, everyone recognized Mick Jagger. But at the time, no one knew who that voice – you know the one – belonged to.

Opera Philadelphia has, of course, spent the last year unable to stage live works in theaters. In response, they started creating original works written for the camera, to be shared and viewed online as part of an ongoing effort to bring a wider range of voices into the repertory.

Will Liverman is a young baritone and a new, exciting voice in the opera world. He is also on something of a mission.

In school, the artist was rarely introduced to Black composers. It was a cumulative interest, patched together by YouTube clips and introductions from colleagues. Now, he wants to expose listeners to music that he feels doesn't get programmed enough in concert halls or receive enough airplay on classical radio stations.

Last year was supposed to be a big one for Foo Fighters – it was the band's 25th anniversary, with a huge tour planned and a new album to play through. But when the pandemic shut everything down, the group decided to delay the album's release and wait it out. For almost a year, the record just sat on a shelf.

"Yeah, that's not what music's for," says Dave Grohl, laughing.

Pages