Laura Sullivan is an NPR News investigative correspondent whose work has cast a light on some of the country's most significant issues.
Sullivan is one of NPR's most decorated journalists, with three Peabody Awards and two Alfred I. duPont-Columbia University Silver Batons. She joined NPR in 2004 as a correspondent on the National Desk, covering crime and punishment issues. She joined NPR's investigations unit in 2010. Her investigative reports air regularly on All Things Considered and Morning Edition.
She is also an on-air correspondent for the PBS television show FRONTLINE. Her investigations have examined the disparity between wealthy and poor hospitals in 2021, how Big Oil misled the public about recycling in 2020, the U.S. relationship with China in 2019, the Blackout in Puerto Rico in 2018, the crisis in affordable housing in 2017 and the Business of Disaster in May 2016, which examined who profits when disaster strikes. The film and radio pieces grew out of a series of investigations examining the American Red Cross in the aftermath of the Haiti earthquake and Superstorm Sandy. The pieces were honored with her second award from Harvard University's Joan Shorenstein Center on the Press and her third from Investigative Reporters and Editors.
Her unflinching series "Native Foster Care," which aired in three parts on All Things Considered in October 2011, examined how lack of knowledge about Native culture and traditions and federal financial funding all influence the decision to remove so many Native-American children from homes in South Dakota. Through more than 150 interviews with state and federal officials, tribal representatives and families from eight South Dakota tribes, plus a review of thousands of records, Sullivan and NPR producers pieced together a narrative of inequality in the foster care system across the state. In addition to her third Peabody, the series also won Sullivan her second Robert F. Kennedy Award.
"Bonding for Profit" – a three-part investigative series that aired on Morning Edition and All Things Considered in 2010 – earned Sullivan her second duPont and Peabody, as well as awards from the Scripps Howard Foundation, Harvard University's Joan Shorenstein Center on the Press, Politics and Public Policy, and the American Bar Association. Working with editor Steve Drummond, Sullivan's stories in this series revealed deep and costly flaws in one of the most common – and commonly misunderstood – elements of the US criminal justice system.
Also in 2011, Sullivan was honored for the second time by Investigative Reporters and Editors for her two part series examining the origins of Arizona's controversial immigration law SB 1070.
For the three-part series, "36 Years of Solitary: Murder, Death and Justice on Angola," she was honored with a 2008 George Foster Peabody Award, a 2008 Investigative Reporters and Editors Award, and her first Robert F. Kennedy Award.
In 2007, Sullivan exposed the epidemic of rape on Native American reservations, which are committed largely by non-Native men, and examined how tribal and federal authorities have failed to investigate those crimes. In addition to a duPont, this two-part series earned Sullivan a DART Award for outstanding reporting, an Edward R. Murrow and her second Gracie Award from the Alliance for Women in Media.
Her first Gracie was for a three-part series examining of the state of solitary confinement in this country. She was also awarded the 2007 Daniel Schorr Journalism Prize for this series.
Before coming to NPR, Sullivan was a Washington correspondent for The Baltimore Sun, where she covered the Justice Department, the FBI and terrorism.
As a student at Northwestern University in 1996, Sullivan worked with two fellow students on a project that ultimately freed four men, including two death-row inmates, who had been wrongfully convicted of an 18-year-old murder on the south side of Chicago. The case led to a review of Illinois' death row and a moratorium on capital punishment in the state, and received several awards.
Outside of her career as a reporter, Sullivan once spent a summer gutting fish in Alaska, and another summer cutting trails outside Yosemite National Park. She says these experiences gave her "a sense of adventure" that comes through in her reporting. Sullivan, who was born and raised in San Francisco, loves traveling the country to report radio stories that "come to life in a way that was never possible in print."
A new report from Greenpeace found that people may be putting plastic into recycling bins — but almost none of it is actually being recycled. Meanwhile, plastic production is ramping up.
Taxpayers spent $15 million on research to build a breakthrough battery. Then the U.S. government gave it to China.
California's attorney general is investigating oil and gas companies for allegedly deceiving the public that most plastic can be recycled, citing NPR and PBS Frontline's investigation of the industry.
The embassy in Washington, D.C., was once a symbol of a new Afghanistan. Now, the few staffers left refuse to serve the Taliban and are racing to help as many refugees as they can.
The Biden administration has declassified a secret FBI report that links some of the 9/11 hijackers to Saudi nationals living in the United States.
The families of 9/11 victims say the FBI document validates their claim that Saudi Arabia played a role in the attacks.
The financial gap between wealthy hospitals and safety-net hospitals, which take everyone who walks through their doors, has widened during the pandemic, an NPR and PBS Frontline investigation found.
Oil and gas companies make enough pellets each year to fill a stadium several times over. The oil industry has long known it has a pellet pollution problem, but that's not what it told the public.
President Trump is appealing to suburban voters by promising they won't have to live near affordable housing. But 50 years after the Fair Housing Act, the truth is housing remains deeply segregated.
An NPR and PBS Frontline investigation reveals how the oil and gas industry used the promise of recycling to sell more plastic, even when they knew it would never work on a large scale.