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  • The gritty cop drama The Shield, starring Michael Chiklis, begins its sixth season tonight on the FX cable network. It's intense from the start — and it keeps building from there.
  • A PBS documentary premiering Wednesday night examines how the baby boomer generation has affected American society and institutions, from childhood through middle age. Now, as those boomers hit their 60s, they are bringing more changes with them.
  • English comedian and actor Sacha Baron Cohen's popular film Borat is now out on DVD. Cohen is best known for his characters Ali G (a journalist from England), Bruno (a flamboyantly gay Austrian fashion reporter) and Borat (a reporter from Kazakhstan).
  • Actress and foster-care advocate Victoria Rowell talks about her new memoir The Women Who Raised Me. She pays tribute to the many women who cared for her and inspired her to become a success.
  • Guest host Dave Davies talks with Peter Berg, executive producer of NBC's Friday Night Lights, who also directed and co-wrote the 2004 film of the same title. Both are adapted from H.G. Bissinger's book about the high-stakes world of Texas high-school football. The TV series, which won a Peabody Award, ends its first season tonight.
  • Madeleine Thien, the daughter of Malaysian-Chinese immigrants, lives in Quebec City, Canada. Her first novel, Certainty, has just been published in the United States. The book is ripe with juxtapositions.
  • In the new film Blades of Glory, comic actor Will Ferrell plays a boorish figure skater forced to team up with another man in a pairs skating competition. The role is Ferrell's latest in a series of characters that have parodied macho men.
  • Cantilever is the new solo album from Jeff Murphy, formerly of the 1970s band Shoes.
  • The Lookout, a thriller starring Joseph Gordon-Levitt, invests more than the usual amount of effort in developing characters. It marks the directing debut of Scott Frank, known for his writing work.
  • The caveman characters seen in Geico Insurance commercials may get their own sitcom on prime-time TV. Can they evolve beyond the 30-second commercial spot?
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