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Michael Hearst, a founder of the band One Ring Zero, put out his Songs for Ice Cream Trucks CD mostly for fun. But he's been getting calls from ice-cream truck drivers who want to use them. Some of the instruments you'll hear on the collection include glockenspiel, electronic chord organ, melodica and theremin.

Student artists are having some fun at an innovative art school in Seattle. At Dr. Sketchy's, students sit at a bar and sketch a burlesque performer, rather than the typical, serious model.

Music critic Milo Miles reviews Mi Sueño, the posthumous album from Cuban singer Ibrahim Ferrer, who made a name for himself in his later years as a member of the Buena Vista Social Club. Ferrer died in 2005, at age 78.

In his new novel, Falling Man, Don DeLillo, one of the most admired American writers, squarely faces the awful events of Sept. 11, 2001, with eyes wide open. DeLillo narrates the viewpoints of a number of people — including one of the hijackers — in prose both exquisite and exhausting.

Monday marks the 25th anniversary of the release of the movie Blade Runner. The film's neo-noir production is cited as having influenced building design. Some argue that its dystopic setting of Los Angeles in 2019 is not far removed from life on the streets of downtown Los Angeles today.

Easygoing dialogue, a relaxed message: Wave-riding penguin mockumentary Surf's Up is PG-gentle, sweet, and laid-back like no kid flick you'll remember.

On TV's Rescue Me, the comic, actor and writer Denis Leary plays a highly strung, highly macho fireman Tommy Gavin, who deals with raging fires and his own raging male ego. Season 4 starts next week on the FX network.

Judd Apatow worked on the cult-favorite TV comedy Freaks and Geeks, but you'll know him as writer-director of The 40-Year-Old Virgin. Now he's back with Knocked Up; we talk to Apatow and to Knocked Up star Seth Rogen.

A rising-star TV reporter has a one-night stand with a guy who won't grow up; Judd Apatow's comedy is a kind of Peter-and-Wendy-get- preggers story for the 21st century.

Shrek the Third isn't a great hand-hold movie (action for the kiddies, pop-culture cleverness for the folks), but it's a flat-out triumph of comedy writing, and its slob-happy world view still has appeal.