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Michael Moore is known for causing corporations and public officials some discomfort in documentaries such as Roger and Me and Fahrenheit 9/11. In his latest picture, Sicko, he casts a critical look at the U.S. health care system.

You Kill Me, a new mob comedy starring Ben Kingsley, centers on a hit man with substance-abuse problems — who hopes Alcoholics Anonymous can help him get back on the job.

Danny Ocean's team of con artists is back in Vegas after their ill-advised European detour — and up to their Armani collars in schemes.

George Clooney and the gang return to Vegas and to the casino caper for this third installment in Steven Soderbergh's hit franchise. David Edelstein has a review.

David Chase, creator and executive producer of the HBO hit series The Sopranos, reflects on America's favorite mob family. The final episode in the show's seven-year run will air this Sunday night. This episode originally aired on June 22, 2000.

Michael Hearst, a founder of the band One Ring Zero, put out his Songs for Ice Cream Trucks CD mostly for fun. But he's been getting calls from ice-cream truck drivers who want to use them. Some of the instruments you'll hear on the collection include glockenspiel, electronic chord organ, melodica and theremin.

Student artists are having some fun at an innovative art school in Seattle. At Dr. Sketchy's, students sit at a bar and sketch a burlesque performer, rather than the typical, serious model.

Music critic Milo Miles reviews Mi Sueño, the posthumous album from Cuban singer Ibrahim Ferrer, who made a name for himself in his later years as a member of the Buena Vista Social Club. Ferrer died in 2005, at age 78.

In his new novel, Falling Man, Don DeLillo, one of the most admired American writers, squarely faces the awful events of Sept. 11, 2001, with eyes wide open. DeLillo narrates the viewpoints of a number of people — including one of the hijackers — in prose both exquisite and exhausting.

Monday marks the 25th anniversary of the release of the movie Blade Runner. The film's neo-noir production is cited as having influenced building design. Some argue that its dystopic setting of Los Angeles in 2019 is not far removed from life on the streets of downtown Los Angeles today.