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  • Celebrated salsa musician is the subject of the film El Cantante. Our music critic takes a look at his career, marked by dazzling musical highs and personal lows including heroin addiction and a suicide attempt.
  • A father's death brings a family together — physically, at least — in a brightly funereal farce that mixes last rites with comic wrongs. Director Frank Oz fills the screen with Muppetlike faces and stages comic catastrophes with Monty Pythonish excess.
  • By day, women from the group Girls Drawin' Girls are animators for shows such as Futurama and South Park. But in their spare time they draw pin-up girls. They're bringing a different perspective to this sexy genre.
  • Michael Harvey created the A&E cable show Cold Case Files, a documentary series that follows forensic experts and detectives as they investigate long-unsolved murder cases. Harvey has also written a novel, The Chicago Way.
  • The Body Snatchers remake, starring Nicole Kidman and Daniel Craig, proves the pulp classic is still startlingly in tune with the U.S. zeitgeist.
  • In this week's roundup of the latest releases from the online magazine Slate, we'll hear what critics are saying about The Bourne Ultimatum, Becoming Jane and Bratz.
  • Paul Rudd, who co-starred in Knocked Up and The 40 Year Old Virgin, produced and stars in the new independent film The Ten — a series of irreverent vignettes that reinterpret the Ten Commandments for a modern audience.
  • The Hottest State sounds like the ultimate vanity project — it's based on director Ethan Hawke's semi-autobiographical novel — but the film turns out to be an affecting story of a young man's first love.
  • British documentary is disturbing, unnerving and wire-to-wire involving — the story of a dream that got so wildly out of hand that it ensnared the dreamer in an intricate trap of his own creation.
  • In the film Resurrecting the Champ, actor Samuel L. Jackson plays a homeless, broken-down former heavyweight contender. The movie is directed by Rob Lurie and set to open Aug. 24.
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