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  • A disenchanted priest takes a sabbatical, embarking on canoeing trip with an ex-heavy metal guitarist once engaged to his sister. They're joined by two young Asian women who call themselves Tom Sawyer and Huck Finn. And then things gets weird.
  • A prequel to John Carpenter's cult horror classic goes back to Antarctica to dig into mysteries the 1982 film was content to leave unresolved. Critic Ian Buckwalter says the earlier film might have had the right idea.
  • This fiscal thriller, starring Kevin Spacey, Zachary Quinto and Demi Moore, is set during one day in 2008, as a group of brokers try to prevent their firm from going belly up. David Edelstein says that given the headlines, the film's timing couldn't be better. (Recommended)
  • Elizabeth Olsen is spellbindingly mercurial as a paranoid young woman struggling to reconnect with her family after leaving an abusive cult. (Recommended)
  • People from across the country are gathering at the 2011 New York Comic Con to share their love of comics, anime, games, graphic novels and more. Michel Martin gets the dish on this year's event from Latoya Peterson, editor of the blog Racialicious.com and an anime fan who's attending the convention.
  • A full-on family brawl is the kind of fodder that makes for a good time at the movies, at least when all the elements are in place. Critic Ella Taylor reports that despite its A-list cast, Dennis Lee's high-octane melodrama doesn't quite catch fire.
  • This week: Uruguay's choral music, a Martin Luther King, Jr. misquote, and a huge box office haul.
  • Valentine's Day is a tricky occasion for poets. Granted, it's hard not to be happy about a holiday on which poems are thought to be genuinely useful. But love poetry's record as an aphrodisiac is mixed. Critic David Orr offers advice for romantic rhymers.
  • Money talks, and a chatty displaced worker talks back, in a French comic drama that details the clash of capital and labor — and dares to flirt with romance across the front lines.
  • From a white-knuckle Wall Street chronicle to a modernized Shakespearean war story, the films on David Edelstein's best-of-the-year list tell solid stories new and old.
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