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  • Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.
  • Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.
  • More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.
  • Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.
  • Hear the fruits of a record-canvassing mission co-piloted by Madlib.
  • The inspired Head Carrier reaffirms all the spark, wit and weirdness, tempered by the occasional burst of emotional rawness, that made people fall in love with the Pixies in the first place.
  • Thirty years after his breakthrough hit "The Way It Is," the singer-keyboardist once again hits the sweet spot between joyful improv and immaculate songcraft.
  • Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.
  • From sorrow, the music builds to a climax of intensity, and finally reaches serene acceptance. Commentator Rob Kapilow conducts a guided tour of Barber's best-known piece.
  • The Canadian singer grew up watching old movies and musicals in London, Ontario. She took those influences and turned them into an album that sounds both old-fashioned and timeless. Its title is The Cricket's Orchestra.
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