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  • The Egyptian government is charging millions of dollars for the Los Angeles County Museum of Art to house the King Tut exhibit. The result is a $30 per-person admission ticket. Despite the hefty price, exhibit organizers say the tickets are selling well.
  • A kidnapping in Caracas provides the plotline for the Venezuelan thriller Secuestro Express. The film makes reference to the kidnap-for-ransom trade thriving in many parts of Latin America.
  • TV critic David Bianculli reviews a new DVD box set of The Dick Cavett Show: Rock Icons. It's a compilation of interviews and performances on the late-night talk show by some of the leading musicians of the 1960s and '70s, including Mick Jagger, Janis Joplin and Stevie Wonder.
  • Comedian and actor Bob Saget talks about the new documentary The Aristocrats. The film features Saget and 100 other comics discussing and retelling one famous dirty joke that has been handed down in comedy circles since the vaudeville days.
  • Day to Day television critic Andrew Wallenstein reviews the Bravo network's new reality show, Being Bobby Brown. The program follows 80s R&B star Bobby Brown and his wife, Whitney Houston.
  • John Leguizamo, who got his start as a stand-up comedian, stars in the new Spanish-language film Cronicas. He plays a tabloid reporter from Miami who travels to Ecuador to track down a serial killer.
  • Rock critic Ken Tucker reviews country musician Dwight Yoakam's new release, Blame the Vain. It's his 18th album.
  • Pakistani singer Faiz Ali Faiz pays homage to the late great Nusrat Fateh Ali Khan with his new CD, Your Love Makes Me Dance. The five pieces on the album were either composed or performed by Nusrat. The genre is called qawwali, a kind of Islamic religious music. Banning Eyre has a review.
  • Film critic Kenneth Turan reviews Batman Begins. The film is about the origins of Bruce Wayne and his superhero counterpart the Caped Crusader.
  • Christine Turner, the filmmaker behind the short documentary, Lynching Postcards: 'Token of A Great Day,' talks about her film and its present-day resonance.
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