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  • In the pre-apocalyptic love song "The Temptation of Adam," Josh Ritter demonstrates his considerable gift for subtle, warmly evocative turns of phrase. As the song unfolds, he revels in the simplicity of the end times, acknowledging that romance is easier when it unfolds in isolation.
  • Singer Tierney Sutton burst onto the scene in 1999 with rave reviews for her first solo album, Introducing Tierney Sutton. Five albums later, critics and fans continue to marvel at her delicate, reflective vocal style. Hear an interview and performance on Piano Jazz.
  • Radiohead guitarist Jonny Greenwood has helped push the boundaries of rock music by integrating electronics and decidedly un-rock sounds. From the Wordless Music Series recorded by WNYC, Greenwood offers the U.S. premiere of his orchestral work, Popcorn Superhet Receiver.
  • In 2000, Sergei Tretyakov became one of the highest-ranking Russian spies ever to defect to the United States. Pete Earley, author of a new book about Tretyakov called Comrade J, and the former Russian spy discuss his case and his motivation.
  • Media critic Ken Auletta tracks the development of Google from a search engine to the provider of all things Internet in his new book Googled: The End of the World As We Know It.
  • In the 1960s, Cathy Wilkerson was a member of the radical group Weatherman. She went underground for 10 years after an accidental explosion blew up a New York townhouse. The author of a new memoir is apologetic for her group's tactics, but not her politics.
  • The Sturgeon Moon became visible Thursday night, appearing bigger and brighter than usual because of its proximity to Earth.
  • One of music's greatest strengths is its capacity to stir the emotions. For Valentine's Day, WGUC's Mark Perzel offers this list of five Classical works inspired by the power of love.
  • Alt.Latino hosts Felix Contreras and Jasmine Garsd join Weekend Edition Saturday's Scott Simon to discuss modern interpretations of traditional Latin holiday music.
  • In an audibly collaborative, thoughtfully layered track, Hannah Mohan and company zero in on what happens when a tight-knit group gets a little too close.
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