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Kerry Hays has crowdsourced the manuals for upwards of 850 unique Super Nintendo games and made them free on an online archive.

Before he was famous for popularizing bossa nova with "The Girl from Ipanema" in the early 1960s, saxophonist Stan Getz recorded with small jazz groups all through the '50s. Jazz critic Kevin Whitehead says a new reissue shows Getz was one of the best at playing pretty.

He may have made it to the stage of La Scala at 23, but the so-called "next Pavarotti" says patience and moderation have been guiding principles in his career.

On the new album The Hills Are Alive, the group overhauls Rodgers and Hammerstein's classic by putting its own influences on shuffle mode.

Glossy guitar and honeyed vocals help capture an empty relationship in Papercuts' "Do You Really Wanna Know?" The uncertain romance at the song's core may have no real future, but singer Jason Robert Quever still finds a way to cast it in amber.

The Broadway veteran tells Scott Simon how her experiences with love and celebrity have fundamentally changed her approach to singing.

On this week's show, Radiohead's surprise album gets a little time to sink in. Plus: new music from Panda Bear and The Dodos, and the final chapter of Son Lux's album-in-a-month challenge.

Paul Simon has again teamed up with producer Phil Ramone for his new album So Beautiful or So What, the first since 2006's Surprise. Rock critic Ken Tucker says the album succeeds in blending elements of Graceland and Simon's self-titled 1972 solo album.

The bilingual singer-songwriter from Guatemala floats as easily between Motown, folk and jazz as she does between Spanish and English.

Singer-songwriter Brian Carpenter has cited places like Coney Island and the Florida Panhandle as inspiration for his work. On his latest album, Hothouse Stomp, Carpenter musically travels back to the jazz scene in 1920s Harlem and Chicago.