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  • Conductor James Levine is known for bringing out the best in musicians and ensembles. Here, he reflects on his 40-year tenure with the Metropolitan Opera, his life in music and the back troubles that recently led him to step down as the musical director of the Boston Symphony Orchestra.
  • Over the course of 40 years, Iggy Pop has changed from a noisy brat with seemingly no chance at stardom to a widely respected founder of punk. A new box set, Roadkill Rising, collects many of his unreleased concert bootlegs.
  • After years spent playing with a backing band or collaborating with other artists, Harper returns with a resolutely solo recording called Give Till It's Gone.
  • The band formed in 1997 and quickly gained attention in its adopted hometown of Austin, Texas. On a new album, its members honor their idol Bob Wills, "The King of Western Swing."
  • Collins was the leader of the 1980s post-punk band Orange Juice. In 2005, he had two cerebral hemorrhages and doubted whether he'd ever make music again. But now he's back with his seventh solo album, Losing Sleep, which Ken Tucker says addresses the singer's past with "bracing clarity."
  • The Bad Plus isn't the only piano trio to have recorded parts of The Rite of Spring. Hear from the band E.S.T. and its late leader, pianist Esbjorn Svensson, about their hidden take on "Spring Khorovod."
  • New Orleans singer and accordionist Amede Ardoin made some of the earliest zydeco recordings. Those rare 78 RPM discs have been collected and remastered on a new compilation.
  • The vocal duo's new album, Bright Morning Stars, isn't necessarily religious, but it is spiritual. Dead Rock West covers some old-time gospel music, redemption-minded blues and bass-stomping revival numbers.
  • Ann Powers writes that she's been listening to The Silos since 1989, and they're still going strong.
  • Drawing from ten different traditional ragas, the Indian master has created an East-meets-West mashup for sarod and symphony orchestra. Hear a sneak preview of the May 10th release.
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