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  • Chris Isaak's more than two decade-long recording career proves that he is a man who sticks to his guns. His newest release, a greatest hits compilation titled The Best of Chris Isaak, is a carefully selected collection of Isaak's most popular fan favorites.
  • American Idol winner Fantasia Barrino is climbing up the R&B charts. One of her songs, "Baby Mama," is a tribute to young, single mothers. But as her popularity grows, critics worry the song is sending the wrong message.
  • When MTV first started in 1981, the network broadcast wall-to-wall music videos. Since then the network has grown increasingly corporate with less music and more commercialism. MTV's Movie Awards show, airing tonight, is sign of how far from those beginnings the channel has come.
  • A new generation of huge telescopes has helped astronomers discover distant planets and galaxies. But they're just the start. Mirrors for what is to be the world's largest telescope are being cast in Arizona.
  • Seattle librarian Nancy Pearl offers some summer reading recommendations, with the proviso that they're not exactly literature. Hear Pearl and NPR's Steve Inskeep.
  • NPR's Ari Shapiro talks with NPR music critic Ann Powers and music scholar Shana Redmond about how old and new protest music reflects political moments, following the Supreme Court overturning Roe.
  • Dave Smith, a pioneer of the synthesizer, revolutionized pop music in the 1980s. David Bowie and Madonna are among the legions who used his Prophet 5 synthesizer. Smith died last week at age 72.
  • Played on three string instruments, this music was the country's soundtrack from the turn of the 20th century to the 1940s.
  • Brian Setzer got his start in the '80s rockabilly band Stray Cats with hits like "Rock This Town" and "Stray Cat Strut." From the '90s until now, his main gig has been with his 17-piece big band, with six albums and Grammy Awards in tow. Hear an interview and performance from WXPN.
  • "I Only Want to Be with You" was Dusty Springfield's first solo hit, back in 1964. Now, rebellious alt-country singer Shelby Lynne, who's had an up-and-down career, has remade the song as part of a Springfield tribute album. It's a radically different version.
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