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  • Guitarist and songwriter Erika Wennerstrom fronts the Cincinnati group with a sprawling voice that that simultaneously exudes both strength and grief. Their introspective third album, The Mountain, is a departure from previous albums' brighter, garage rock and chronicles a move from Ohio to Wennerstrom's new home of Austin, Texas.
  • Violinist Anne-Sophie Mutter bares her soul in a searing, sometimes angry, beautiful performance of Brahms' Violin Concerto, recorded live and dedicated to her late husband.
  • Foster starts out her KUT session by reaching back to her roots with a Sister Rosetta Tharpe song. It sets the mood for a soulful performance and conversation with the modern blues singer and guitarist, who looks beyond the folk tradition for which she's become known.
  • The 23rd annual South by Southwest music festival gets under way in Austin, Texas, on Wednesday. One of this year's most widely anticipated shows comes from a well-known band: The Decemberists. The band will perform its new album, The Hazards of Love, in its entirety.
  • The power of Antony Hegarty's The Crying Light finds the minimalist bluesman exploring humanity's relationship to the world through melodramatic chamber-pop songs.
  • On Apr. 4, the rockabilly legend behind "Hard Headed Woman" will be inducted into the Rock and Roll Hall of Fame in the Early Influence category. It's her hard head in the music business that's helped make her both a survivor and a pioneer.
  • Wilson's Loverly won the 2009 Grammy for Best Jazz Vocal Album. With a wide variety of standards — from "St. James Infirmary" to "Til There Was You" — she stretches out on Loverly at the Chicago Symphony Center.
  • Long a standout purveyor of rootsy, direct "heartland" rock, Mellencamp is in the midst of a folksy, pessimistic streak on his new album. He speaks to host Terry Gross about the spare sound and dark themes of Life, Death, Love and Freedom.
  • March is the month of tournaments, but why should college basketball have all the fun? Every weekday at NPR Music brings a new Song of the Day, so Jacki Lyden and Song of the Day editor Stephen Thompson recently sat down to debate this past week's selections.
  • For the folk-pop songwriter who borrows his stage name from the 1967 Bob Dylan album, cleverly pointed lyrics and biting humor come as no surprise. As sharp as ever after a five-year hiatus, Harding has released Who Was Changed and Who Was Dead, the result of a new found musical freedom.
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