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Lizzie Goodman from Blender magazine discusses new releases from Gnarls Barkley, The Raconteurs, The B-52's, and Madonna.

The young singer, part of a wave of British female pop stars finding success in the U.S., has been compared to Dusty Springfield and sparked rumors that her father is fellow Wales native Tom Jones. She talks about the tiny town where she grew up, and recording her first demos on a karaoke machine.

Ben Sollee just wants us to get along. On his debut, full-length release, Learning to Bend, the Kentucky-born singer offers an inspired collection of acoustic, folk and jazz-flavored songs, filled with hope and the earnest belief that the world is good.

In the U.S., the British folk scene has never been as well-known as its counterparts in rock and pop, but David Gray is changing that. For more than a decade, this wordsmith out of Manchester has been laying down album after album of bright folk music. Hear him in a session from WXPN.

The songwriter and pianist, daughter of a globetrotting preacher, grew up with church music on Sundays and classical records in the household. Her debut album draws on all that — not to mention a teenage imaginary friend.

The band closed with a cover of Low's 1999 song "Just Like Christmas." Fanfarlo's members had practiced it all the way from Baltimore to D.C.

The noodle-obsessed chef's Momofuku chain has converted many New Yorkers to his brand of anything-but-instant ramen. Now Chang brings his recipe to the world in a new cookbook, Momofuku.

In a session from KPLU, blues guitarist Tab Benoit plays through a couple songs all by his lonesome, yet manages to conjure an entire band all his own. Benoit also talks about creating "Voice of the Wetlands," a group that raises awareness about the importance of Louisiana's natural resources.

The conductor says that his goal is for more people to appreciate and recognize classical music for its complexity, organization and beauty. In an interview, Ponti discusses his work, his son and the best way for a classical-music novice to discover pure symphonic joy.

The brooding dub-rock of South Africa's BLK JKS (pronounced Black Jacks) is a formidable addition to the musical landscape of indie-rock, with potential to appeal to the audiences enchanted by the likes of Vampire Weekend and TV on the Radio. PRI's Marco Werman interviews the band about their "post-apartheid" music.