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  • Nirvana's Bleach (reissued this month) didn't make much of a splash when it was released in 1989. But with hindsight, the album shows a band clearly hurtling toward greatness. A mere two years later, Nirvana headlined England's Reading Festival; by then, the greatness was obvious.
  • The Baltimore Symphony conductor chooses a season of music built on the belief that understanding where we come from, and celebrating diversity, can create a sense of continuity, history and belonging — not to mention some great concerts.
  • He wrote the words, and sometimes the music, for more than 1,500 songs, among them "Skylark," "Blues in the Night" and "Moon River." He had a few hits himself on Capitol Records — which he started. He was a great American lyricist, and today marks the 100th anniversary of his birth.
  • On his sophomore album, Everything Is New, Penate exudes a refreshing sense of insight and experimentation. While the music has a gloomy undercurrent, each track is still fun and dance-floor-friendly, colorfully blending classic soul and pop with hints of Afrobeat.
  • The German composer utilizes powerful orchestral sounds, as well as silence, to elicit a psychological and emotional response from the listener. Who better than conductor Daniel Barenboim, a veteran of the opera pit, to pull it all off?
  • Sometimes, an idea is so perverse and bizarre that it needs to be carried out and followed to its logical end.
  • Irish singer Imelda May is a walking, talking, singing embodiment of the 1950s. She wears leopard-print sweaters, tight bad-girl jeans and her hair in a ponytail. Although May has won numerous awards in 2009, her music harkens back to a style that was popular in the '50s: rockabilly.
  • Here in this intimate Tiny Desk Concert, Avi sings three hushed lullabies, including what has become one of her signature songs: a cover of Morrissey's "First of the Gang."
  • The group One eskimO is an audio-visual endeavor, and its self-titled debut album includes a full animation. But while the band's idiosyncratic, self-produced videos are a notable component of its work, its expressive music is the heart and soul of the enterprise.
  • A sophisticated songwriter with a knack for wordplay, Landes has also worked as a recording engineer on several movie soundtracks. When she isn't behind the boards in the studio, she's singing her own indie-rock tunes. Her third studio album, Sweet Heart Rodeo, ties together classic tales of love and loss with the metaphorical device of the rodeo.
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