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  • While Teitur's music hasn't reached many fans in the U.S., he's the Faroe Islands' most famous singer-songwriter. Music journalist Christian Bordal spoke with the singer about his music, his storytelling, and life growing up in the remote Scandinavian islands.
  • Hear the electronic pop group perform songs from its forthcoming sophomore record, Something.
  • Record producer and Sinatra historian Charles Granada discusses his book Sessions With Sinatra: Frank Sinatra And The Art of Recording and the box set — Frank Sinatra: The Best of the Columbia Years 1943-1952 — he helped to create.
  • Cuban guitarist Manuel Galban became known in the U.S. after playing with Buena Vista Social Club and winning a Grammy with Ry Cooder. But Galban has long been famous in Cuba because of his work with one of Cuba's most famous groups of the 1960s.
  • The New Jersey indie-rock band performed a new song, "In My Car," plus songs from the band's latest album Days at World Cafe Live in Philadelphia.
  • After nearly 50 years in the music business, Neil Diamond is on top of the world. The singer has topped the U.S. and British album charts with his new release, Home Before Dark.
  • The pianist once estimated that he was a member of "15 to 20" working bands — which says something about how much (and how many) fellow musicians value his playing. Hear him perform with his own band.
  • Pianist, composer and conductor Robert Kapilow joins Fred Child to explore why the simple and direct song "America the Beautiful" has the ability to touch listeners so deeply. Election Day is a fine time to explore its timeless pull on America's heartstrings.
  • New York City's Vision Festival honors New Orleans saxophonist Kidd Jordan Wednesday night. He still remains unknown outside avant-garde jazz circles, but Jordan says that doesn't matter. Staying true to his roots, Jordan teaches music in his hometown, where many of jazz's elite players have studied under him.
  • Hayden's "Worthy of Your Esteem" demonstrates why the singer-songwriter was never meant to be a Beck-level star. The arrangement is pure bedroom-tapes quality, and he still sings in an unassuming, plaintive voice that approaches a mumble. Still, the song is a nuanced beauty.
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