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  • A new documentary follows the Metropolitan Opera's controversial staging of Wagner's Ring cycle.
  • NPR's Scott Horsley talks about what some are terming the "diplopaloozaa" this weekend, when President Obama hosts the G8 conference at Camp David on Saturday and the next day plays host to two dozen NATO heads of state in Chicago.
  • John Wesley Harding laments the Starbucks-ization of America, great music from Josh Ritter, Edie Brickell, and Punch Brothers. Then questionable life advice from Sarah Vowell and Eugene Mirman, topped with Haley Tanner's homage to a favorite writer.
  • Hear a top French chamber orchestra bring passionate life to operatic works by Vivaldi, Handel and the little-heard Nicola Antonio Porpora — a composer who was once Handel's rival.
  • The London Olympics are more than a month away, but fans of swimming were eager to see the 2012 edition of the rivalry between Michael Phelps and Ryan Lochte get started Monday, when the two Olympic gold medalists face off in the final of the 400-meter individual medley at the U.S. Olympic Trials.
  • For this week's roundup of best political folks to follow on Twitter, we chose some lesser-known and local names you might want to see in your feed.
  • The former FBI director's investigators were "more successful in burrowing into the traditionally closed university" than state investigators had been, writes Pulitzer-prize winning reporter Sara Ganim of Harrisburg's The Patriot-News.
  • Radio 1 had an issue: Should its Official Chart show play the song, or would that be too tasteless since it was pushed to the top of the charts by critics of Margaret Thatcher? Those who didn't admire the Iron Lady have used the song to make their voices heard.
  • James used to play for the Cleveland Cavaliers. When he left, the value of the team fell by tens of millions of dollars — and the value of his new team, the Miami Heat, rose by tens of millions. Planet Money looks at why economists say James should be making closer to $40 million a year.
  • Frisell has been on the cutting edge of jazz guitar since his arrival on the scene in the early 1980s. With amazing technique and a creative mind, he has incorporated the whole of American music in his work, relying on country, blues, rock and jazz. Hear an interview and performance.
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