
In celebration of Black History Month 2025, the UL Department of English and UL Trad Music held “Resonance & Groove: Afrofuturism in the US South,” a dynamic three-day symposium exploring Afrofuturist thought across southern music, literature, and folklore. Afrofuturism is a cultural movement that draws on science, technology, history, and fantasy to reimagine Black experiences in the past, present, and future. Resonance and Groove brought together some of today’s most exciting thinkers and creatives for a rich lineup of discussions, workshops, and performances. In our panel discussion, leading scholars Dr. Constance Bailey, Dr. Langston Collin Wilkins, and Jake Blount explored Afrofuturism’s intellectual foundations, from celestial symbolism in southern hip-hop to sonic innovations in funk and folk. Poet Bernardo Wade and fiction writer Desiree Evans also shared their work in an intimate reading
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Literary Reading Q&A w/ Bernado Wade & Desiree Evans
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Literary Reading - Desiree Evans, presented at Resonance & Groove, ULL 2025
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Jake Blount "Morning Might Never Come: Sonic Alterity and Arrival at Black Uchronia" paper presented at Resonance & Groove, ULL 2025
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Constance Bailey "From ATliens to ArchAndroids: Afrofuturistic Sonic Innovations" presented at Resonance & Groove, ULL 2025
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Langston Collin Wilkins "Starships and Rockets: Celestial Symbolism in Southern Hip Hop" - paper presented at the Resonance & Groove symposium, ULL 2025