Mark Jenkins
Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.
Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.
He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.
Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.
He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.
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Based on a graphic novel, this updating of Madame Bovary almost manages to maintain its feather-light touch in spite of the heavy source material.
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Sandy McLeod's documentary is a portrait of Cary Fowler, an agriculturalist who is building a biological archive to maintain crop diversity.
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A new documentary looks at the history of quarantined Nazi propaganda films and considers the consequences of trying to keep them away from the public eye.
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James Marsden and Jack Black play two men whose lives have taken very different paths after high school.
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A new French film about a girl born blind and deaf speaks not only to the questions of how she learns, but of her encounters with faith and loss.
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The docudrama 24 Days doesn't try to explain the thinking of those who abducted and killed a Jewish Parisian. Instead, it considers what can be known about the motives of others.
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There's some too-cute narration and some suspiciously convenient footage in this sort-of documentary from Disneynature, but when the monkeys are at their best, they're quite charming.
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Mark Jenkins says the new artificial intelligence film Ex Machina is diverting, but ultimately comes to a predictable and unsatisfying conclusion.
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Director Marjane Satrapi is best-known for her graphic novel Persepolis. But her foray into the psyche of a regular Joe who ships toilets for a living and talks to pets goes a bit astray.
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Bruno Dumont's inconclusively plotted story of a boy crossing paths with detectives and other locals was made as a miniseries, but feels little like traditional television.