Originally published on Tue September 18, 2012 3:41 pm
For New York Polyphony, it's location, location, location. The four-man vocal ensemble thrives on music from the Renaissance, much of it designed for cavernous, reverberant spaces. Think voices soaring through arched cathedrals. But madrigals by Flemish composer Orlando di Lasso, with their more intimate storytelling vibe, are suited for smaller venues — like, say, the living room of New York Polyphony bass Craig Phillips.
David Lynch must know something we don't. There's a name for people like him — not director, not writer, not producer, not even photographer, but auteur. Lynch thoughtfully combines images and music, working with composer Angelo Badalamenti to breed a unique atmosphere in creations such as the TV series Twin Peaks and the film Blue Velvet.