Originally published on Fri October 5, 2012 11:17 am
Pianist Ethan Iverson launched a debate last month when he evoked "the dark side" of musical competition — specifically, of the Thelonious Monk International Jazz Competition, whose semifinals and finals take place this weekend in Washington, D.C. Iverson took issue with overemphasizing technical convention, and with the very nature of judging art, making the somewhat hyperbolic suggestion that Monk couldn't have competed in the contest named for him.
Rickie Lee Jones' new album, The Devil You Know, is a collection of covers. "I think [I recorded the album] partially to remind people that a singer is the one who interprets the song," she says. "And once you do that, it's yours."
Eric San, who goes by the name Kid Koala, plays the blues. But just as Kid Koala isn't a traditional blues name like Blind Lemon Jefferson or Doctor Ross the Harmonica Boss, he isn't a standard blues man.
Kid Koala is a DJ. Big turntables, fast hands, scratching old-fashioned vinyl records — the whole deal. Now, he's taken that DJ equipment and produced a "turntable blues" album titled 12 Bit Blues.
So how did a Canadian DJ discover the blues, exactly? San says it all happened in high school.
And then there were three — record labels, that is. Regulators in the United States and Europe have approved the acquisition of EMI Music by Univeral Music Group. The combined label will own close to 40 percent of the world music market with a trove of acts that includes The Beatles.