Originally published on Wed August 15, 2012 11:41 am
This year, some of the biggest names in cartooning offered major releases in genres ranging from alternative science fiction to historical fiction to memoir. Through a masterful blending of words and images, these five titles reveal the vast storytelling possibilities of the graphic-novel medium. Each book is created by a singular writer/artist, and offers a wholly unique point of view in both narrative and illustration.
Few French writers can rival the success of Marie NDiaye, whose acclaim as a novelist and playwright is matched by her massive commercial success. At just 45, she has a quarter-century of best-selling books behind her, and in 2009 she became the first black woman to win the Prix Goncourt, France's top gong for literature, for the passionate and unsettling novel Three Strong Women.
Romance fiction is the Rodney Dangerfield of the publishing world: It don't get no respect.
This, despite the fact that romance is the most consistently profitable genre in an unsettlingly shaky business. Last year, romance alone contributed more than $1 billion to publishing's diminished coffers. And a growing amount of that income comes from romances written by ethnic writers for ethnic readers.
Millions of Americans rely on Univision anchor Jorge Ramos to tell them about the news, but his children aren't among them. Like many Latinos who've grown up in the U.S., they get their news in English.
Originally published on Tue August 21, 2012 10:58 am
It was day 12 of our trip through Spain and Portugal, and my friend and I were ready for some traditional Portuguese cooking when we arrived in the quaint, cobblestoned city of Lisbon.
Walking along the tiered and winding roads, the Atlantic Ocean horizon would greet us and then disappear again behind the hilltops. Above, clothes hung out to dry along white, curved iron balconies, a rainbow of clips holding the waving pants or undergarments in place.