Trekking through a post-apocalyptic world in The Day, haggard survivors Adam (Shawn Ashmore), Mary (Ashley Bell), Shannon (Shannyn Sossamon), Rick (Dominic Monaghan) and Henson (Cory Hardrict) come upon a farmhouse that may provide much needed shelter and supplies — as well as hidden dangers.
In the post-apocalyptic film world, the tactic du jour for tipping off an audience that civilization and its inhabitants have all but kicked it seems to be simple color correction — specifically, zapping the frame of any lively hues and leaving behind a desolate palette of gray. Call it 50 shades of desaturated desperation.
Originally published on Fri August 31, 2012 9:46 am
The title of Elgin James' debut feature, Little Birds, refers to the two teenage girls at its center. But for all the sweetness and fragility that title suggests, one of those girls, Lily (Juno Temple), has a knack for destruction better suited to a charging rhino.
Lily, in fact, is the stuff of parents' worst nightmares about what their children might become as teenagers: sullen, willful, cruel, smart enough to know how to hurt those closest to her with a few well-chosen words but too dumb to know how to protect herself from harm.
A Tsui Hark movie in 3-D — not to mention the first wuxia film to be shot in the format — ought to serve up three times the spectacle of the usual Tsui affair. And damned if Flying Swords of Dragon Gate doesn't almost deliver.
Some postal codes encapsulate a socioeconomic profile in tidy shorthand: 10021 for Manhattan's tony Upper East Side, NW6 and NW10 for London's racially mixed, resolutely ungentrified northwest quadrant. Zadie Smith's London birthplace — a major wellspring of her work — is the setting of NW, her ambitious though somewhat dilatory fourth novel, which tackles issues of fortune and failure, class and ethnicity, and the often guilt-inducing and sometimes blurry lines between them.