Michael Kranish (left) is the deputy chief of the Washington bureau of The Boston Globe. Scott Helman is a staff writer at The Globe. Both have covered politics, presidential campaigns and Congress.
In The Real Romney, Boston Globe reporters Michael Kranish and Scott Helman examine Mitt Romney's political rise since 1994, when he ran for the U.S. Senate in Massachusetts. They explain how Romney shifted from supporting abortion rights to heavily courting social conservatives in the 2008 Republican primary.
Last Call, Tootsie's Orchid Lounge, Nashville, Tenn., 1974
Credit Henry Horenstein
Last Call, Tootsie's Orchid Lounge, Nashville, Tenn., 1974
Credit Henry Horenstein
Ralph Stanley at Home, Coeburn, Va., 1974. "As bluegrass heroes go, Ralph Stanley is right up there with Bill Monroe. He began performing with brother Carter as the Stanley Brothers in 1946, and their old-time mountain sound has been hugely influential."
Credit Henry Horenstein
Dolly Parton, Symphony Hall, Boston, 1972. "Dolly Parton's first hit was 'Dumb Blonde' in 1967, but she soon proved she was anything but."
Credit Henry Horenstein
Bluegrass Music Fan Frank Brown, Gettysburg Bluegrass Festival, Gettysburg, Pa., 1974
Credit Henry Horenstein
Curly Ray Cline at Home, Rock House, Ky., 1974. "Curly Ray Cline ... fiddled for Ralph Stanley and the Clinch Mountain Boys from 1966 to 1993. His fiddling style was simple and precise, a perfect match for the Stanley old-time sound."
Credit Henry Horenstein
Charlie Monroe,Take It Easy Ranch, Callaway, Md., 1973. "Charlie Monroe worked with younger brother Bill as the Monroe Brothers before splitting up in 1938. Bill went on to stardom at the Grand Ole Opry, while Charlie worked smaller venues."
Credit Henry Horenstein
Minnie Pearl and Pee Wee King, Ryman Auditorium, Nashville, Tenn., 1973. "Minnie Pearl was the pre-eminent country comedian of her day. With a price tag hanging from her hat, she regaled her fans with tales from Grinder's Switch, a fictional town that influenced Garrison Keillor and his Lake Wobegon."
Credit Henry Horenstein
DeFord Bailey, Grand Ole Opry House, Opryland, Nashville, Tenn., 1974. "A member of the original Grand Ole Opry cast, DeFord Bailey was discovered in 1926 playing harmonica while operating an elevator. He was fired from the show in 1941 due to changing musical tastes or racism, depending on who's telling the story, and ran a shoeshine business in Nashville until just before his death."
Credit Henry Horenstein
Lester Flatt, Ryman Auditorium, Nashville, Tenn., 1972. "Lester Flatt and banjoist Earl Scruggs were the successful Flatt and Scruggs. Flatt's contributions included strong baritone vocals and a signature guitar run, widely imitated even today."
It may come as a surprise that the photographer who shot these country stars — and their fans — is from Massachusetts. But, Henry Horenstein explains, country music "was a rural music, not necessarily a Southern music."
As a young photographer, Horenstein spent a good part of the 1970s and early '80s at bluegrass festivals, Nashville's Grand Ole Opry, New England honky-tonks and elsewhere, documenting what he believed was an "era that was going to go away."
Okay, so Bic has been taking a lot of flack for selling this pen "for her." (As it says on its web site, it is "a ball pen essentially for women," although that seems to invite a caveat, such as, "although there may be certain men to whom it appeals and we don't judge.")
The first and most important thing you need to know about Jonathan Evison's heartbreaking, maddening novel The Revised Fundamentals of Caregiving is that one of its two main characters is a paralyzed teenage boy, named Trevor. The other is a grown man, Ben, who frequently acts like a teenage boy. Your enjoyment of the book — the follow-up to Evison's well-regarded West of Here — will be largely predicated on how much you like listening in on can-you-top-this, gross-out sex talk, and ruefully self-demeaning descriptions of the female of the species.