Originally published on Fri September 7, 2012 5:32 pm
With three TIFF screenings under my belt as of midmorning Friday, I've begun to realize that I've been picking my films based on a few highly personal likes: narrative intensity, rich visuals, inventive compositions and maybe a few other variables. Here's what I mean:
The "Bumper Car Psychos" are easy to spot. While the other bumper cars at New Jersey's Keansburg Amusement Park spin wildly from one collision to the next, the Psychos cruise gracefully around the track, grinning from ear to ear as they slam their targets into the wall.
What do you do when, after 30 years, your husband tells you he is leaving you for someone else? If you're poet Sharon Olds, you grab your spiral-bound notebook and write about it. And though the marriage ended in 1997, she has waited 15 years to tell us about it — half as long as her marriage lasted.
Half of the Pop Culture Happy Hour crew is scattered to the four winds — if, by "the four winds," you mean "an assortment of movie theaters in Toronto" — but before parting ways, the old gang met up to discuss a question that's been vexing me. What are the tipping points, I vex, that push various forms of entertainment over the line between "long enough" and "too long"?