Yesterday, a federal judge dismissed a lawsuit brought by Christopher Johnson and Nathaniel Claybrooks, two black men who had auditioned for The Bachelor, who claimed that the show discriminates against people of color both in choosing the primary bachelor/ette and in choosing the people he or she will have to choose from.
I've devoted many hours in my life to reading, and among these hours many of them belong to the creations of novelist Louise Erdrich. In more than a dozen books of fiction — mostly novel length — that make up a large part of her already large body of work, Erdrich has given us a multitude of narrative voices and stories. Never before has she given us a novel with a single narrative voice so smart, rich and full of surprises as she has in The Round House. It's her latest novel, and, I would argue, her best so far.
In America, vineyards are usually tucked in out-of-the-way rural areas, among country lanes. But in France, where great wine is a way of life, vineyards are everywhere — even in the middle of the country's biggest city.
High on the hills of the neighborhood of Montmartre in Paris is Clos Montmartre, the city's last working vineyard.
In late summer 2010, at the end of a morning briefing, one of President Obama's security advisers said, "Mr. President, Leon and the guys at Langley think they may have come up with something." The adviser was referring to then-CIA Director Leon Panetta, and to a possible lead on the country's most wanted terrorist: Osama bin Laden.
It's not easy for John Hawkes to watch clips of himself in his new movie, The Sessions. He plays a man named Mark O'Brien, based on a real writer and poet, who spends most of his time in an iron lung as a result of childhood polio; that meant the role was hard on Hawkes' body. As he tells Melissa Block on All Things Considered, "It was a physically painful role to play." Not only did it require him to act primarily from a horizontal position, but it called for him to create the illusion of a curved spine.