A series of mishaps and bad choices leaves the impetuous, impoverished Ashley (Abbie Cornish) caring for a young Mexican immigrant (Maritza Santiago Hernandez).
Credit Brainstorm Media
Among her other problems, Ashley's child is taken away from her because of her self-destructive personality.
Using illegal immigration as a frame to explore the slow awakening of a tough-shelled young Texas woman, The Girl is a patient chamber piece about the emotional bruises left by poverty and neglect.
Even before we fully know her circumstances, Ashley (Abbie Cornish) introduces herself as a victim of race and class discrimination. A sullen single mother and minimum-wage drone in a south Texas supermarket, she opens the film with a request for a raise. When denied, she refuses to accept her supervisor's criticism of her attitude.
It would take a heart of stone — or zero tolerance for soap — to resist Any Day Now, a full-throttle weepie about a West Hollywood gay couple trying to adopt a neglected boy with Down syndrome.
Marilyn Monroe's life has captivated the public's imagination for decades, and most recently has been given voice by today's famous actresses in Love, Marilyn.
We're long past the point where, at least among half-sentient beings, we need to make a case for the intelligence and sensitivity of Marilyn Monroe. Even when cast as a dumb blonde, she was never just your stock ditzy dame: She always showed a breezy self-effacement that was too sly to be purely accidental.
And to look at her, of course, is to love her, particularly now that her sad story has become part of the cultural landscape: How can you not want to protect such beauty and vulnerability from the cruelty of the world?
The O'Haras don't talk much about what's wrong, but the members of this biracial Queens family — the central characters of Yelling to the Sky -- are bedeviled by alcoholism (dad), mental illness (mom) and adolescent defiance (the two daughters). Indeed actress-turned-director Victoria Mahoney barely explains her characters' circumstances, which makes the movie obliquely intriguing. But whenever the story comes into focus, it's revealed as fairly conventional.
For the holidays, why not give a gift that tastes like a cloud? Portuguese Sweet Bread may be as close as you can get, according to Marilynn Brass, one-half of the cookbook duo the Brass Sisters.