The Hobbit's path to the screen may have started out as tortuous as a trek through the deadly Helcaraxe, filled with detours (Guillermo del Toro was initially going to direct), marked by conflict (New Zealand labor disputes) and strewn with seemingly insurmountable obstacles (so many that the filmmakers threatened to move the shoot to Australia).
You might know Lizzy Caplan, eternal sidekick, as Jason Segel's girlfriend on television's Freaks and Geeks. Or as the struggling comedienne from Party Down, or the vampire vegan on True Blood, or from the movie The Bachelorette earlier this year?
A series of mishaps and bad choices leaves the impetuous, impoverished Ashley (Abbie Cornish) caring for a young Mexican immigrant (Maritza Santiago Hernandez).
Credit Brainstorm Media
Among her other problems, Ashley's child is taken away from her because of her self-destructive personality.
Using illegal immigration as a frame to explore the slow awakening of a tough-shelled young Texas woman, The Girl is a patient chamber piece about the emotional bruises left by poverty and neglect.
Even before we fully know her circumstances, Ashley (Abbie Cornish) introduces herself as a victim of race and class discrimination. A sullen single mother and minimum-wage drone in a south Texas supermarket, she opens the film with a request for a raise. When denied, she refuses to accept her supervisor's criticism of her attitude.
It would take a heart of stone — or zero tolerance for soap — to resist Any Day Now, a full-throttle weepie about a West Hollywood gay couple trying to adopt a neglected boy with Down syndrome.
Marilyn Monroe's life has captivated the public's imagination for decades, and most recently has been given voice by today's famous actresses in Love, Marilyn.
We're long past the point where, at least among half-sentient beings, we need to make a case for the intelligence and sensitivity of Marilyn Monroe. Even when cast as a dumb blonde, she was never just your stock ditzy dame: She always showed a breezy self-effacement that was too sly to be purely accidental.
And to look at her, of course, is to love her, particularly now that her sad story has become part of the cultural landscape: How can you not want to protect such beauty and vulnerability from the cruelty of the world?