Mariah, at right, is the steel-spined matriarch of Porgy and Bess's Catfish Row. Actress NaTasha Yvette Williams, with Norm Lewis's Porgy and Bryonha Marie Parham's Serena, creats one of the show's pivotal moments without having to speak a word.
Credit Michael J. Lutch /
As intense as she is as Bess, Audra McDonald says she thinks she's got even more crazy to work out onstage. On her bucket list: Shakespeare's Lady Macbeth.
There's plenty of high drama going on in Porgy and Bess, and high drama can often mean intense acting.
God knows Audra McDonald is tearing up the stage as the drug- and drink- and sex-addled Bess: I've never seen her loosen up her joints and contort her body the way she does in two or three of the show's more scorching moments. She's located something rough and ugly deep inside, and found a physical and a vocal language for it.
Originally published on Thu June 14, 2012 10:22 am
On Monday night, a theater-critic buddy and I were hoisting a round at a 9th Avenue saloon called Flaming Saddles. "God Bless Texas" was on the jukebox, which was an actual jukebox and not somebody's Spotify playlist, and the big-screen TVs were showing Shirley MacLaine getting smashed in Can-Can, because it's that kind of establishment.
In Once, based on the cult-favorite Irish indie movie, a guy (Steve Kazee) and a girl (Cristin Milioti) fall in love during a whirlwind week of songwriting in Dublin. The show has earned 11 Tony nominations, including two for its leads.