Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he curates Song of the Day, fusses over the placement of commas and appears as a frequent panelist on the podcasts All Songs Considered and Pop Culture Happy Hour. In 2008, he and Bob Boilen created the weekly NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, Weekend All Things Considered and Morning Edition, on which he earned the distinction of becoming the only member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the forthcoming anthology This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children and a Frogger machine. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

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Tiny Desk Concerts
1:03 pm
Mon February 11, 2013

The xx: Tiny Desk Concert

Credit Gabriella Demczuk / NPR
The xx performs a Tiny Desk Concert on Jan. 29, 2013.

Originally published on Tue February 12, 2013 6:42 am

It's easy to think of The xx as a fashionable band: Its members have a sleek all-in-black look, its typography and cover art is coolly and distinctively styled, and the group itself has been showered with validation, including Britain's 2010 Mercury Prize. But beneath all that tightly controlled image-making lays music that's raw and vulnerable; shy, worried tentativeness is wired into a sound that shimmers powerfully, but remains as fragile and delicate as a soap bubble.

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Monkey See
2:49 pm
Fri February 8, 2013

Sunday, 8 p.m. ET: Spend Grammy Night Staring At Screens With Us!

Originally published on Mon February 11, 2013 12:11 am

With the conclusion of Sunday night's ceremony, Linda Holmes and I have now live-blogged fully one-eleventh of the Grammy Awards' 55 annual incarnations. Below is our original post and an archived live blog of the telecast:

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First Listen
1:04 am
Fri February 8, 2013

First Listen: Nick Cave & The Bad Seeds, 'Push The Sky Away'

Credit Cat Stevens / Courtesy of the artist
Nick Cave & The Bad Seeds' new album, Push the Sky Away, comes out Feb. 19.

Originally published on Sun February 24, 2013 7:38 am

Audio for this feature is no longer available.

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All Songs Considered
12:03 pm
Thu January 31, 2013

We Get Mail: As Valentine's Day Approaches, Do We Still Need Mixtapes?

Credit Leah Tihia / via Flickr
In an age of digital files, does handpicking and handing someone a music mix still matter?

Originally published on Fri February 1, 2013 3:21 pm

Tiny Desk Concerts
1:03 pm
Mon January 28, 2013

Of Montreal: Tiny Desk Concert

Credit Christopher Parks / NPR
Of Montreal performs a Tiny Desk Concert on Dec. 14, 2012.

Originally published on Tue January 29, 2013 2:57 pm

About halfway into Of Montreal's Tiny Desk Concert in the NPR Music offices, I showed a friend a Post-It note on which I'd just scribbled, "Was I wrong to expect more of a decadent, pan-sexual carnival?" I'd thought we were going to need to throw plastic sheeting over our desks, like at a GWAR concert, and there we were, watching a miniaturized Of Montreal — just Kevin Barnes solo, albeit with the assistance of singer Rebecca Cash and guitarist Bryan Poole for "Feminine Effects" — as it strummed its way through three stripped-dow

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