Marc Hirsh

As The Voice returns to NBC this week for its fourth season, viewers are seeing two new, if quite familiar, faces as Shakira and Usher occupy the coaches' seats vacated by Christina Aguilera and Cee Lo Green. Its talent-show rival over on Fox, The X Factor, will also see two new judges when (if? no, "when," surely) it comes back in the fall.

So why does The Voice seem so healthy and The X Factor so wobbly?

Whether this week's announcements that both ABC's Don't Trust The B- In Apt. 23 and Fox's Ben & Kate are being yanked from the schedules mark the beginning of the Great Sitcom Massacre of 2013 remains to be seen. It almost certainly means the end of two strong shows whose casts were clearly having a blast making them.

If there's one thing that HBO's The Newsroom is especially good at, it's portraying journalists who aren't especially good at journalism.

Well, maybe that's not fair. The fact is, they haven't had much opportunity to engage in journalism, since every major story that's come their way has been cracked not through know-how, persistence and telephonic grunt work but through the fortuitous involvement of people with whom the fictional News Night staffers happen to already be good buddies.

Everything I've ever written about Sam Phillips has been a cheat.

On June 19, a week and a half ago, Fiona Apple released a brand new album, her first in seven years. The entire album had been available for streaming by NPR Music for a week and a half by then. Three days later, my copy arrived in the mail. It hasn't left my desk since.

I still haven't listened to it.