The once-penniless Georges Duroy (Robert Pattinson) maneuvers his way to the top of Paris society by wooing and bedding the city's best-connected women — among them the influential Madame de Marelle (Christina Ricci.)
Words, words, words: Novels, especially 19th-century ones, are full of the damned things, which can be an inconvenience for filmmakers doing adaptations.
Directors Declan Donnellan and Nick Ormerod, theater veterans making their cinematic debut with Bel Ami, try to downplay language, which seems a promising idea. But the strategy fails for several reasons, the foremost of which is their leading man.
For Abe (Jordan Gelber), there is one simple truth in life: "We're all horrible people."
He articulates this insight in Todd Solondz's new film Dark Horse, while on a painfully awkward date with Miranda (Selma Blair), a chronically depressed woman he meets at a wedding reception, where both of them look on glumly at everyone else dancing and having a good time.
Since Republicans took back the U.S. House in the 2010 elections, abortion has been a fairly constant theme. The House took eight separate abortion-related votes in 2011 — the most in a decade, according to NARAL Pro-Choice America.
Al Spx was studying English Literature at the University of Toronto when she came across a line from James Joyce's Ulysses: "Born all in the dark wormy earth, cold specks of fire, evil lights shining in the darkness." The phrase "cold specks" sparked a fire of inspiration, and Spx knew immediately that she had found the perfect name for the songs she was writing on the side.
Damon Lindelof was a producer on the 2009 reboot of Star Trek, which seemed to win over loyal Trekkies. And this weekend Lindelof will earn the devotion — or wrath — of Alien fans. He helped write the screenplay for the new film Prometheus, an origin story for Ridley Scott's 1979 sci-fi classic.