Call JD McPherson's style a throwback if you like, but don't mistake it for novelty. The former punk rocker and middle-school art teacher crafts a raw and energetic blend of jump blues, rockabilly and early rock 'n' roll on his debut album Signs & Signifiers, recording to 1/4 tape on analog equipment. Still, McPherson is as likely to cite The Smiths or Wu-Tang Clan as influences as he is Little Richard or Ruth Brown.
Those knitters we told you about who had been asked to "cease and desist" by the U.S. Olympics Committee because they were planning a "Ravelympics" have opted to give the slip to any legal issues.
They're going to call their competitions "The Ravellenic Games," The Oregonian reports.
Vows' debut album Winter's Grave arrived to NPR folded carefully in a worn piece of paper xeroxed with hand-drawn artwork. True to it's packaging, Winter's Grave is delicately hand-crafted rather then sloppily home-spun.
Vows is a dreamy, atmospheric band with pop sensibilities from a small town in New Jersey. The album's title track has a satisfying blend of enchanting and eerie sounds. It opens with a vibrant riff that rattles over synth keys but slips into dissonant, creepy organ sounds.
The Boston Symphony Orchestra opened their 75th anniversary season at Tanglewood on July 6, 2012.
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Picnickers started arriving hours early for this concert; by the time the music started, some 12,00 concertgoers packed the Shed and Tanglewood's grounds.
Credit Erik Jacobs for NPR
Conductor Christoph von Dohnanyi has been a frequent guest conductor at the Boston Symphony Orchestra recently.
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In an ideal pairing of music of setting, the orchestra played Beethoven's Symphony No. 6, "Pastoral."
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The all-Beethoven concert began with the Leonore Overture No. 3.
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Dohnanyi's gestures at the podium were mostly very restrained.
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The program for this opening night at Tanglewood on July 6, 2012, replicated the very first concert the Boston Symphony Orchestra gave at their then-new summer home in 1937.
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The Boston Globe called this performance of Beethoven's Fifth Symphony "full, open and robust," and praised Dohnanyi for "lean textures kept his Fifth from tipping over into the land of flabby orchestral cliche."
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The weather could not have been more perfect for dining and listening to music al fresco.
Seventy-five years ago, an American institution was born: Tanglewood, the summer home of the Boston Symphony Orchestra, a cultural mecca to arts lovers and the musical refuge for generations of young artists.