NPR News

"Do you think you'll have to pay a high price for your mistakes?"

That line is spoken on an Indian game show watched by Trishna, the title character of Michael Winterbottom's subcontinental rethink of Thomas Hardy's Tess of the D'Urbervilles.

The penalties for mistakes on the game show are only monetary in nature, of course. For Trishna, the costs of her errors in judgment are measured on an entirely different scale. This being a Hardy story, you can count on this: They'll be high, and they'll be unpleasant.

Alps, the tightly controlled burn from Dogtooth director Giorgos Lanthimos, begins with a simple image: a girl twirling a ribbon. Practicing her routine in a large gym, the rhythmic gymnast (Ariane Labed) moves powerfully, spinning and tumbling across the mats in choreography set to "O Fortuna." She finishes, but as she complains to her coach, a middle-aged track-suit-wearing type (Johnny Vekris), the routine just isn't working — she'd rather be doing a pop song. She's ready for pop, she insists.

The coach disagrees.

The Mira Sorvino who won an Oscar for her full-bodied twist on the hooker-with-a-heart-of-gold type in Woody Allen's Mighty Aphrodite resurfaces in Union Square, a micro-budget indie that calls for a similar brand of New York brassiness.

Of all the hustlers who present cheap tricks as "magic," few are more shameless than filmmakers. Under the cover of "It's only a movie," directors and screenwriters exhort the gullible to believe in ghosts, telekinesis, extraterrestrials and such.