This interview was originally broadcast on August 8, 1990.

Andrew Sarris, who popularized the auteur theory and was called the "dean of American film critics," died on Wednesday. He was 83.

In 1962, Sarris became the first American film critic to write about the auteur theory. That's the idea that the director of a movie is the person most responsible for it, and that movies can be better understood if they're seen in the context of a director's complete body of work.

Title IX was the landmark legislation that required most educational institutions to offer equal opportunities for girls and boys. It changed history and opened up the floodgates to basketball courts, soccer fields and classrooms to women all over the country. Host Michel Martin speaks with three experts about what more needs to be done.

You might think the presidential race is settled with two candidates. But there's one candidate you might not have heard much about. Former New Mexico Governor Gary Johnson is running for president on the Libertarian Party ticket. Johnson speaks with host Michel Martin about his policies and the challenges he has getting his message heard.

Every morning, thousands of Cajun French music lovers tune in to KRVS to start their day with Pete Bergeron and "Bonjour Louisiane." Like morning coffee, "Bonjour Louisiane" gets you up and going with traditional Cajun French favorites and the latest releases from talented newcomers. Brush up on your French, find out about the fairs and festivals, and share the "joie de vivre" of French Louisiana. 

Highland Hospital in Oakland has what's supposed to be an emergency room, and that's where the documentary The Waiting Room is set.

But as it turns out, at a big public hospital in Oakland, an ER only does so much actual trauma care; it only handles so many things you would usually think of as emergencies. The rest of the time, it functions as a primary care health provider that's not at all designed to be one — largely for people who have no insurance.

A New York pop-rock trio with a spunky and theatrical side, fun. began when singer Nate Ruess was coming off the breakup of his long-running band The Format.