Ella Taylor

To 'Fill The Void,' A Choice With A Personal Cost

Ella Taylor — Thu, 23 May 2013 21:03:00 +0000

Driving home from a screening of the ravishing new Israeli film Fill the Void, I caught sight of a young man in full Hasidic garb, trying to coax his toddler son across a busy Los Angeles street.

Greta Gerwig, Blithely Spirited As 'Frances Ha'

Ella Taylor — Thu, 16 May 2013 21:03:00 +0000

Long a darling of the New York indie scene, Noah Baumbach came to filmmaking with a solid pedigree: His father is a film theorist and his mother was a movie critic at the Village Voice (where I've contributed myself).

But after his first hit comedy, Kicking and Screaming, the writer-director developed a habit not uncommon among novice filmmakers: He mistook clever disdain for insight.

'Venus and Serena': Champs Atop Their Game

Ella Taylor — Thu, 09 May 2013 20:54:00 +0000

What's left to know about Venus and Serena Williams? Probably not much that the tennis titans would be willing to share, given how heavily exposed they've been already, and how eager the press has been to wedge the sisters into ready-made narratives about race, celebrity and the daughters of a Svengali.

The lively if slightly worshipful new documentary Venus and Serena breaks little new ground in this regard.

'Love Is All You Need,' Unless Character Matters

Ella Taylor — Thu, 02 May 2013 21:03:00 +0000

When a husband steps out on his wife while she's getting chemo, she's entitled to a weekend in the Mediterranean with Pierce Brosnan, right?

Right, but I believe he went there quite recently with Meryl Streep, did he not, albeit without the cancer? I didn't much care for Mamma Mia!, but the garish musical at least embraced its vulgarity with a full heart and a toe-tapping ABBA soundtrack.

'At Any Price': What Cost A Win?

Ella Taylor — Tue, 23 Apr 2013 20:59:00 +0000

Like last year's fracking drama Promised Land, the new movie At Any Price is about farm people getting pushed around by corporations — except that there's no Matt Damon to rescue them, cleanse his soul and snag Rosemarie DeWitt in the bargain.

Indie director Ramin Bahrani's first Hollywood picture is far from a David-and-Goliath story, though, and it's certainly not The Waltons Face Down Monsanto.